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,
Trenchard

Kathleen Trenchard (San Antonio)
The Four Seasons of San Antonio, 2002
Canopy Papel Picado Installation
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Maria’s
Tortillas (Niosa)
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Turkey Legs and Corn on the Cob
(Junteenth)
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Cowboy Breakfast (Rodeo)
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Chile Queens (Market Square)
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Aguas Frescas (Raspa carts)
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Margaritas
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Pig Stand (Southtown)
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St. Mary’s Oyster Bake (Fiesta)
The Four Seasons of San Antonio, 2002
Vinyl
24 x 36 in. each
15 feet high and variable width
Kathleen Trenchard translates the traditional Mexican
craft of papel picado onto the intricate vinyl wall
hangings that enliven the East Food Court space. Her
work represents both a technical and creative triumph.
In this installation, Trenchard decided to portray
subject matter associated with each of the four seasons
in San Antonio, ranging from “Maria’s Tortilla’s” at
NIOSA to the “Cowboy Breakfast” during
the winter months of rodeo. A full description of each
large papel picado panel is written in further detail
below.
Trenchard received a BFA from the University of New
Orleans and an MFA in painting and printmaking from
the Pratt Institute in New York. Her papel picados
have been exhibited nationally and she is the author
of Mexican Papercutting. A special note of thanks from
Kathleen Trenchard goes out to Ridgway’s and
Alamo Flag and Banner for finding the materials for
her installation.
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SUMMER
Market Square: A family (grandmother, mother, daughter)
dines under an umbrella while a young lady sells
paper flower coronas (crowns) to the table; another
vendor
sells aguas frescas under the papel picado hanging
from the balcony of La Margarita restaurant; above
them, a guitarist and a legendary Conjunto performer,
Santiago Jimenez, join a pachuco on the balcony of
La Margarita.
Downtown: An armadillo encounters one of the cement
elephants in front of the Herzburg Museum near a
memorial to the closed museum/library.
North of Downtown and traveling West:
The mysterious "grotto"/little
summer house/folly in San Pedro Springs Park:
a crawfish (a frequent resident of the San Pedro
Springs), is
jumping from the moat surrounding the grotto;
the Historic Camino Real (the Kings Road) connects
the San Pedro
Park to Fredericksburg Road where the Cool Crest
miniature golf course is surrounded by its signature
banana tree
grove; a vendor pushes a raspa cart along the
Camino Real toward Woodlawn Lake where a goose
nests on the
bank; 4th of July fireworks light up the "sunfish" sail
boats and the landmark lighthouse on Woodlawn
Lake; several other landmark towers, including
the Hemisfair
and a church, line up with the lighthouse, marking
the San Antonio skyline as seen from the west
side of town.
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AUTUMN
San Antonio Riverwalk: Crowded river barges cue
along the shimmering river, flanked by luminarias,
cypress
trees strewn with lights, and a canopy of umbrellas
sheltering restaurant diners. A gondola glides
in the foreground as a reminder that Hugman
envisioned gondolas
as the preferred vehicle for passengers along
his
visionary riverwalk. One of the river taxis
suggests a calavera,
or skull, in keeping with Day of the Dead in
November. A staircase leads to the street above.
Above the
river, next to the Commerce St. Bridge, “Bongo Joe”,
in his signature fez and homemade oil drums,
performs in front of the Alamo with the Hemisfair
Tower and
the Torch of Friendship peeking from behind.
River walk grackles compete for the sound waves.
It was Hemisfair
that brought George Coleman to San Antonio to
perform for the crowds. But he stayed long after
the fair was
over and delighted the crowds for twenty years
at his two favorite sites, the Commerce St. Bridge
and in
front of the Alamo.
The Farmers Market at the S.A. Mercado: A traditional
Day of the Dead altar has been installed for
the Nov. 2 celebration. The table features
a decorated
candy
skull, marigolds, a candle, a cup of hot chocolate,
empanadas, tequila, a plate of chicken mole,
and a pan de muertos, (Day of the Dead bread
in the general
shape of a skeleton). Enjoying the altar and
each other's
company are two ranchers sitting in front of
their classic pick up trucks.
The near Northwest, along Fredericksburg
Road:
The E & B Drive Thru Ice House features a seasonal
skeleton, (calavera), and standard Ojo de Dios and
Tweety bird piñatas for sale. Pumpkins
are another hot item in autumn.
Outskirts of San Antonio, but
what much of the city looked like before it
was developed:
Working ranch
scene, complete with longhorns and cattle egrets
in the corral, a windmill and cacti.
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WINTER
Downtown Riverwalk: The annual River Parade
on the San Antonio River: a barge featuring
musicians (a
drummer, tambourine player, and a mariachi
guitarist), perform,
while a woman throws a string of beads to
onlookers. Luminarias (paper bags with lit
candles in
them) light up the banks of the river during
the Festival
of the
Luminarias. The trees are lit with cascading
Christmas lights, which reflect on the shimmering
water below.
Above the river, the annual S.A. Conservation
Society's Las Posadas candlelight procession
makes its way
across the bridge and over to La Villita.
An angel leads the
way with the traditional festive standard,
followed by Mary and Joseph, in Mexican costume,
carrying
a candle and bells, and another standard
bearer behind them. Grackles and bats make
a fuss,
as an opossum
defends its perch in the cypress trees along
the river.
Just North of Downtown:
Brackenridge Park - The cement wood entrance
to the Japanese
Tea
Garden,
by Dionisio
Rodriguez. The HEB/Witte Museum Tree House,
designed by Lake Flato Architects. A confused
woodpecker
and a Texas horned toad/lizard test the cement
wood tree,
sculpted by S. A. artist, Carlos Cortez,
which supports the tree house. A roadrunner
takes
shelter in the
limb of one of the huge "live" oaks
nearby in the park. A toothy sun looms above
the trees to remind
us that even in winter the sun shines down
hard on San Antonio.
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SPRING
Downtown Riverwalk: Texas Cavaliers River
parade with King Antonio waving to (implied)
spectators
on the
banks as his signature float/barge passes
under a bridge spanning the San Antonio
River. Nighttime
lights are
reflected on the shimmering river. On the
bridge above the river parade, little legs
dangle
from the
openings
in the bridge as children sit and watch
the parade below. A mother sips from a soda.
Children costumed
as the king and queen of Fiesta, mimicking
the adults below, wave to the crowd. The
little queen holds
a cascaron in the air while her other arm
wraps around that of her escort, the king.
The moon,
a well-lit
lamp post, and trees along the street set
the stage for the nightly ritual of the
noisy
grackles
reaping
havoc as they prepare to roost in the cypress
trees for the night.
Just North of Downtown, Alamo Heights:
A VIA rider reads a book while waiting
for
a bus
at the Dionisio
Rodrigues concrete wood bus shelter on
Broadway.
Brackenridge Park: Real trees are the setting
for the traditional celebration of Easter
in Brackenridge
Park:
a picnic table is "saved" by cabling
a tire to the table; an egg shaped home-made
sign indicates
the spot where the Garcia family has had their
Easter picnic site since 1947. A camp tent has
been set up
so a family member can spend the night saving
the prized spot. One of the Garcias is grilling
sausages on the
pit. A pinata hangs from one of the many live
oaks in the park. Among the permanent residents
of the park
are the herons and roosters, both of whom are
taking refuge on the upper limbs of the oaks.
A nest of hungry
baby herons eagerly awaits a meal.
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Gallery Features:

Event Level
Susan Davidoff
Texas Mountain Laurel

Charter Level
John Coleman
Cattle Drive, 2003

Plaza Level
George Cisneros
Atomic Spur, 2002

Terrace Level
Charles Field
Sunrise, South Jetty, Port Aransas, 2002
Balcony Level
Kathleen Trenchard
The Four Seasons of San Antonio, 2002
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